
It featured many of my favorite musicians, cast light on one of my favorite periods of history, and highlighted the delightfully rebellious spirit of all things punk.
Henry Rollins provided a great deal of the commentary, including a description of the posers who came along later, with their theatrical Mohawks and safety pins through their cheeks. No real punk musicians actually pierced themselves with safety pins; they used them to hold their clothes together because they were poor as dirt.
I particularly liked that discussion, because I am the opposite of those imposters: I am brimming with the antiestablishment fervor of punk, but I look like the girl next door. I'm not wearing the costume of rebellion, but I burn with the fire of resistance. For instance, as I remarked to Sarah the Butterfly, all of the media hype about obesity and images of rail-thin models thrust down our throats does nothing but make me want to get fat and wear a tube top with spandex shorts.
Lucky for us all, I do have my own health to consider; otherwise I would do it just to be difficult. Actually, I think it comes from my early childhood dreams. I wanted to be a journalist, and journalists have this unofficial slogan: "Comfort the Afflicted and Afflict the Comfortable." I'm not saying they live up to this credo, but it's a thought.
I do not take well to authority, and my emergence from under the thumb of my abusive first husband has only heightened my resolve to fight the power. I love punk rock, and no matter what I look like or how old I get, I will always be hard-core punk.

By the way: can anyone identify this picture? I'm sure at least one of you can.